THE SILKWORM by Robert Galbraith (SPOILER FREE)

Title: The Silkworm
Author: Robert Galbraith (pseudonym for J.K. Rowling)
Genre: Crime / Thriller
Originally Published: 2014
Page Count: 455
Published by: Sphere

Date Read: 1st July - 4th July 2014

I was incredibly dubious going into this series initially. JK Rowling has filled my childhood with so many fantastic and beautiful stories that I hold incredibly dear to my heart. I don't want to sound clichéd, but she did. Last year I read 'The Cuckoo's Calling' after discovering with the world that Robert Galbraith didn't write it, Joanne Rowling wrote it under a pseudonym. I really enjoyed 'The Cuckoo's Calling', but 'The Silkworm' was something else.

I had no idea on the plot when picking this up, it was an instant-buy, I wanted it, I needed it. I bought the hardback and started reading. Without going into too much detail the novel takes place after the first book, in the winter of 2010, when the wife of famous writer Owen Quaine hires Cormoran Strike (our hero from book one) to find her husband as he's disappeared. The novel subsequently takes a sinister turn and everyone's a suspect due to Quaine's unpublished manuscript for his new book being incredibly critical and rude about the people around him. 

The prose of this book was beautiful. Rowling (or Galbraith - I'll stick with Rowling) has this beautiful way of describing the simplest of things. While she uses some clumsy and rather pedantic descriptions of things, her writing on the setting paints such a beautiful picture. Rowling almost romanticises London, her descriptions are what a reader craves. I already have a romanticised view of the hustle and bustle of the big smoke, and Rowling, not shying away from describing London's grittier side, continues to entice me to England's capital. 

Her characters grow enormously within this book. Not literally of course. Strike and Robin's relationship, especially, continues to blossom. I adore their relationship, it's maybe a cliché but they work so well together and the continued dynamic with Matthew, Robin's fiancé, makes things a lot more interesting. Robin is as likeable as ever, but she'll never surpass Strike. Strike has such a history that we haven't scratched the surface of, from his failed relationships and further back to his army days. I assume there's a lot more characters from his past who will crop up in future installments.

The mystery itself was fascinating. Set within the publishing world, any reader is enthused. The only thing I really have negative to say is that the mystery is never really outstanding or innovative, it's again, like its predecessor, rather clichéd with the tropes of all crime fiction added. The use of the mcguffin to drive the plot was excellent and did hold my attention. 

As far as solving it goes, I don't know whether it's a bad thing that her novels are rather predictable. The writing and relationships are so fantastic that you don't really mind that you've put the pieces together. Tension is still sustained and there's always that doubt in your mind that maybe you are wrong and you've missed something. 

Whatever Cormoran and Robin get up to next, to use a clichéd phrase, I'll be there with bells on. Fantastic novel. 5 stars. 

THE YELLOW WALLPAPER | Book Review

Title: The Yellow Wallpaper
Author: Charlotte Perkins Gilman
Originally Published: 1890
Page Count: 21 pages (on kindle)

As a history student it is rare that I get assigned fictional books to read, so when my module for American History (1865-1989) had this as seminar reading I was so excited to finally be able to fully engross myself in the seminar work for once in my life. Even though I study history I do often respond more to fiction. It gives a sense of author's perspective but more poetically and metaphorically, it gives a sense of time, a sense of emotions, and I think a lot of history professors/lecturers overlook that. 

Back to the book - this is a short classic novel documenting one woman's entrapment in a rented-out house's nursery. The character is kept in the room to help her rest and relax, but the story has increasingly creepy elements to it. 

There's only so much one can say in a short metaphorical piece of literature and Gilman seems to do it effortlessly; she offers a stream of consciousness that not only can be seen as one woman's descent into madness or depression but also as a metaphor for feminism. The character is repressed, none more so by her husband, John, a physician. The character begins to see things in the ugly wallpaper, she believes there's a code to it, and suddenly she cracks it and is desperate to break the chains and bars that hold her in place.

The whole metaphor of entrapment and emancipation is documented in its final sentence, an ambiguous yet fitting end. 

I've seen a lot of people wanting to read many 'bigger' books this year, people wanting to read a certain amount of books, and yet my aim is also to read more of these shorter books, especially if they're classics. I want to be able to immerse myself more in 19th and early 20th century literature and appreciate them because it's something I've rarely done before.

And because of that and the story's fantastic writing, there is only one rating I can award it, and that's: ★★★★★

GONE GIRL | Book Review

Title: Gone Girl 
Author: Gillian Flynn
Genre: Crime / Thriller
Published by: Phoenix
Originally Published: 2012
Page Count: 463

"Who are you?

What have we done to each other?

These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. 

Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears this isn't true. A police examination of his computer shows strange searches. 

He says they weren't made by him And then there are persistent calls on his mobile phone.

So what did happen to Nick's beautiful wife?"

I picked this book up on a whim, I needed a third book in one of those 3 for 2 deals, and this was the most appealing. I do not regret for one second picking up this book.

'Gone Girl' is divided into two perspectives, Nick Dunne's and his wife, Amy's, alternating between each perspective with each chapter. Nick's perspective begins on the day of his wife's disappearance and charts his life as the mystery unravels about his wife's disappearance. Amy's perspective is a series of diary entries throughout the couple's relationship, from their first encounter and onwards. It follows Nick and Amy as they have returned to Nick's former home in Missouri, to help his sick family and to recover after their failing careers in New York.

Through these perspectives we get a real sense of annoyance and aggravation with these characters, especially Nick. Nick is a lying, beautiful-on-the-outside, ugly-on-the-inside narrator. It becomes very obvious that he keeps withholding information from the reader and all you are left with is a sense of sheer hatred for this main character; almost the protagonist is the antagonist. This isn't down to Gillian Flynn's poor writing, but down to her excellent writing. Nick is supposed to be unlikeable, it makes him more interesting, it makes you turn each page as a new plot twist is revealed, one that churns your stomach and makes you wonder who the hell are these people? 

Amy's diary entries are so deliciously enticing. They're filled with crude language and brilliant description. Amy and Nick were both writers in New York, so it works well that they are both brilliant storytellers. 

The novel starts off fairly slowly, lets the reader adjust to these characters' minds, as it does take quite a while to get your head around them. The slowness of the opening and the complex minds of the protagonists makes it a struggle, almost. However, after that the novel takes a turn, a fascinating one, one filled with plot twists and shocking moments, and it works really well. It has brilliant references to pop culture that make the novel all the more satisfying as you delve deeper into these sick characters' lives. (It also makes reference to one of my all-time favourite films, Vertigo, by Alfred Hitchcock, and reminded me of Vertigo's different narrative structure). 

What is brilliant about this book is its comment on the media. The media is a force to be reckoned with inside this novel, they forge the rise and fall of the characters in this book. Flynn's comments depict the intrusiveness the press is, not only to these characters, but to the public's minds, and because of that the novel acts as a fantastic allegory.

I can't really say too much when it comes to the plot without giving away any spoilers. So I shall keep this review reasonably short. (Although, I already see it becoming fairly lengthy). Like I said, the beginning was slow, but after that you are launched into a domino effect of circumstances that shock and make you shiver. The jargon of some characters can be offensive and vile but it is great at creating character development and allowing the reader a deep insight into the minds and personalities of that character. 

The ending really hindered this book, although it is also understandable why Flynn decided to end it in such a way. It again further exemplifies the personalities and egos that she has set up and reinforces that the novel is a captivating read that makes you want to read more and more until there is nothing left but acknowledgements and enticing adverts for the author's other books. 

'Gone Girl' is a book that demands to be discussed. Flynn's impeccable writing stems a deliciously page-turning book that afterwards leaves you feeling unnerved about the human psyche and curious about that lovely commitment that is marriage.
5 out of 5 stars.  

Review: The Fault in Our Stars by John Green. (NO SPOILERS)

Title: The Fault in Our Stars
Author: John Green
Genre: YA / Romance 
Published by: Penguin books
Originally Published: 2012
Page Count: 318


I've only recently got around to reading one of the most-talked about and anticipated book from 2012, and wow am I glad I did actually buy and read it.

The book is written in first person, from the perspective of Hazel Grace Lancaster, a sixteen-year-old girl suffering from Thyroid cancer, as a result a tank of oxygen is constantly trailing by her side. Hazel's life almost certainly changes instantly when she meets Augustus Waters, a seventeen-year-old plot twist in remission after losing his leg to osteosarcoma. It is a cancer support group where they meet and it is from there that this story develops into a breathtaking adventure about love and the meaning of life.

First of all I completely avoided this book after reading Paper Towns by John Green as I thought this book would almost be the same; annoying, a let down and incredibly pretentious. Now this book doesn't shy away from its dabble in pretentiousness, but you have to allow John Green to do this, as it adds to the likability and allure of his two main characters.

I had very little idea of the plot when going into this, in fact I thought it was going to be the same basic idea of a film I'd recently watched, Now Is Good, which starred a 'British' Dakota Fanning, and the gorgeous Jeremy Irvine. However, this book had so much more substance than the film I had watched. The film I had watched was very much counting down to the day the protagonist died, this book however may have had cancer at its core, it is the agent that pulls Hazel and Augustus together, but it doesn't necessarily drive the novel all the time.

The two main characters is where my love for this book initially came. Hazel and Augustus have this almost witty way of speaking and they're incredibly clever and well-spoken. In Paper Towns you could argue 'Q' is the same, but frankly he's boringly irate compared to these two. It may be said that this is not typical teenage behaviour or speech, but these two protagonists are not typical teenagers. Hazel has this view on life that is so refreshing and raw, she's not afraid to say what she thinks about those who treat her differently because of her cancer, she's not afraid to be blunt or hide away due to cancer. You end up respecting Hazel, she's just a teenager who happens to have cancer, and is terrified she's a grenade. A word she uses to describe herself, she feels if certain people form attachments to her its a matter of time until the grenade explodes and they are all left inconsolable and heartbroken. It's heartbreaking when you hear Hazel describe herself like this, as as a reader you want nothing more than for her to be happy and safe.
Augustus or 'Gus' is another wonderful character, he's witty, charming and in my head, he's incredibly attractive. He's not afraid to joke about what may be seen as sensitive issues, he finds humour in everything and he'll be damned if anything stops him from doing what he wishes. He's romantic and charming and you can see why he's so appealing to Hazel.

The plot follows the two as they get to know each other, we meet their mutual friend Isaac, who sadly is about to lose his eyesight due to his condition. Isaac is another heartwarming and funny character you can't help loving and feeling sorry for.

There's a quote on the edition that I own by Jodi Picoult that describes this book perfectly:

"Electric... filled with staccato bursts of humour and tragedy."

If a book can make me feel emotions and make me long for these characters then to me, it's a pretty good book. This book plunged me deeper into my emotions than I cared to think a book could take me.
I found myself laughing out loud several times, and I found myself crying at 1am over this book, actually not being able to breathe properly because my heart was breaking. Even in moments of sheer heartache this book still manages to make you laugh and immediately whimper after it.

Closing this book was like leaving friends behind. It was a journey that struck a note with me. It's filled with so many wonderful quotes that you can take with you on your way, my favourite being something that I associate with this book:

"As he read, I fell in love the way you fall asleep: slowly, and then all at once." 

I don't want to be cheesy but this quote resonates so much with me for this book, you come accustomed to the wonderful writing and the magnificent characters John Green has created and you feel yourself being succumbed to the book's charm. And then you suddenly realise when you close this book that its nothing like anything else. It is perfect:  ★★★★★